Each of the artists featured in our Commissions pages have experience creating artworks and installations to any scale from a multitude of media.  For smaller-scale commissions, to suit your available space and preferred dimensions, browse the individual artists pages: Allan ForsytheAllan StorerClare WilsonDan NathanEleonore PironneauGordon DavidsonKatya de grunwaldKen DenningPatrick JacksonRoberta Verteramo and Shirin Houston.

Showing 1–30 of 45 results

Stripes Porcelain

Rose Long Contact Studio

Rose Long’s ‘Stripes’ series of paintings derives from a need to expose oil paints for the viscous, sensual, seamless, oozy, malleable and yet forgiving medium that it is.

In this series she examines tonal combinations or color together with the texture, form, edge, shadow and layering of paint on canvas to emphasise the convening of the boundaries of paint, air and canvas.

As an architect Rose is used to working with different drawing tools to create structure in space. Similarly with these paintings, the use of tools is paramount – tape; straight edge; set square; palette knife; brushes, scribes and plumbs are all used to apply paint with differing results.

Standard size 150 x 50cm made to order with a 12-16 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Stripes Spectrum II

Rose Long Contact Studio

Rose Long’s ‘Stripes’ series of paintings derives from a need to expose oil paints for the viscous, sensual, seamless, oozy, malleable and yet forgiving medium that it is.

In this series she examines tonal combinations or color together with the texture, form, edge, shadow and layering of paint on canvas to emphasise the convening of the boundaries of paint, air and canvas.

As an architect Rose is used to working with different drawing tools to create structure in space. Similarly with these paintings, the use of tools is paramount – tape; straight edge; set square; palette knife; brushes, scribes and plumbs are all used to apply paint with differing results.

Standard size 100 x 60cm made to order with a 12-16 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Stripes White Triptych

Rose Long Contact Studio

3 panels of 120 x 70cm each

Rose Long’s ‘Stripes’ series of paintings derives from a need to expose oil paints for the viscous, sensual, seamless, oozy, malleable and yet forgiving medium that it is.

In this series she examines tonal combinations or color together with the texture, form, edge, shadow and layering of paint on canvas to emphasise the convening of the boundaries of paint, air and canvas.

As an architect Rose is used to working with different drawing tools to create structure in space. Similarly with these paintings, the use of tools is paramount – tape; straight edge; set square; palette knife; brushes, scribes and plumbs are all used to apply paint with differing results.

Standard size 120 x 70cm made to order with a 12-16 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Stripes Grey and Copper Leaf

Rose Long Contact Studio

Rose Long’s ‘Stripes’ series of paintings derives from a need to expose oil paints for the viscous, sensual, seamless, oozy, malleable and yet forgiving medium that it is.

In this series she examines tonal combinations or color together with the texture, form, edge, shadow and layering of paint on canvas to emphasise the convening of the boundaries of paint, air and canvas.

As an architect Rose is used to working with different drawing tools to create structure in space. Similarly with these paintings, the use of tools is paramount – tape; straight edge; set square; palette knife; brushes, scribes and plumbs are all used to apply paint with differing results.

Standard size 70 x 100cm made to order with a 12-16 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Gilded Three Dimensional Wall Art

Claire Burke Contact Studio

Claire’s current work is the culmination of 20 years dedication to making beautiful abstract statements. Meditative, tranquil compositions playing with the picture plane with the suggestion of a horizon and landscape. Two textured surfaces juxtaposed, the subtle differences between them emphasised by their apparent simplicity, the work revealing itself to be deceptively detailed upon more prolonged examination. The work is fashioned from Gold and Silver Leaf. The timeless nature of the precious metals and the fascination they hold, adding to the works allure.

The work is genuine silver leaf, distressed with varnish, wax, and other mixed media, with a resin coating.

More common sizes range from 160cm in length to 120cm, 20cm to 10 cm wide and 10cm to 4.5cm deep. If project requires alternative sizes this is easily accommodated in consultation with the supplier to ensure maximum integrity in the objects.

Inside the Cake – Edible Installation – Guanzhou, China

Tom Wolfe Contact Studio

Wolfe was commissioned by Four Seasons Hotel Group to headline ‘The Taste of Artistry’ Food festival tour throughout China. Tom finished each event with his most popular edible installation ‘Inside the Cake’ originally showcased at Frieze Art Fair in London.

His “Inside the Cake” installation incorporates performance with experiential taste, inviting guests inside the installation to have a taste and trigger their positive scent memories.

Synthesis L3

Tom Price Contact Studio

Synthesis is the study of a dialogue between two contrasting materials – resin and tar – and their negotiation for space and identity when forced to become a single unified entity.

What appear to be petal-like inclusions are actually cracks and fissures created through a careful manipulation of the catalysing process of the resin. They cluster around and interact with amorphous invasive bodies of tar, which loom – apparently suspended in space. The tar initially appears densely black, almost light-absorbent, but upon closer inspection, a network of fine green vapour trails can be seen drifting from a surface partially melted by the exothermic reaction of the curing resin. As the tar heats it expands searching for pathways within the resin and rushes to claim opening cavities, creating wafer thin golden slivers of coral-like protuberances.

The effects of the synthesis of these two disparate elements – one black and dense; the other clear and liquid – results in a riot of colour and explosive formations that engage on both a macro and micro level.

Standard size 85 x 117.5 x 40cm made to order with a 4-8 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Please contact us for any URGENT requirements.

 

Synthesis L1

Tom Price Contact Studio

Synthesis is the study of a dialogue between two contrasting materials – resin and tar – and their negotiation for space and identity when forced to become a single unified entity.

What appear to be petal-like inclusions are actually cracks and fissures created through a careful manipulation of the catalysing process of the resin. They cluster around and interact with amorphous invasive bodies of tar, which loom – apparently suspended in space. The tar initially appears densely black, almost light-absorbent, but upon closer inspection, a network of fine green vapour trails can be seen drifting from a surface partially melted by the exothermic reaction of the curing resin. As the tar heats it expands searching for pathways within the resin and rushes to claim opening cavities, creating wafer thin golden slivers of coral-like protuberances.

The effects of the synthesis of these two disparate elements – one black and dense; the other clear and liquid – results in a riot of colour and explosive formations that engage on both a macro and micro level.

Standard size 85 x 117.5 x 40cm made to order with a 4-8 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Please contact us for any URGENT requirements.

 

Wolfe with his award winning Architectural Canape Trays

Tom Wolfe Contact Studio

Wolfe was Awarded the Number 2 position in Architectural Digest for combining Food Design with Modernist Architecture having designed and created Couture wearable food trays and unique architectural trays for his Modernist afternoon tea.

Contour Cluster

Petr Weigl Contact Studio

Topography and geometry meet in these dream-like maps. Imaginary rivers and valleys cut through the strata of polished concrete. The absence of colour enhances the smooth chiselled finish to create a powerful homage to natural structures. These hand made works are unlike machine polished marble, they are more organic looking with some area’s more matt and some more reflective. This natural aesthetic is what makes up their appeal.

Standard size 248 x 70cm made to order with a 6-12 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Contour Beta

Petr Weigl Contact Studio

Topography and geometry meet in these dream-like maps. Imaginary rivers and valleys cut through the strata of cold cast and patinated bronze. The absence of colour enhances the smooth chiselled finish to create a powerful homage to natural structures. These hand made works are unlike machine polished marble, they are more organic looking with some area’s more matt and some more reflective. This natural aesthetic is what makes up their appeal.

Standard size 486 x 120cm made to order with a 6-12 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Synthesis S

Tom Price Contact Studio

Synthesis is the study of a dialogue between two contrasting materials – resin and tar – and their negotiation for space and identity when forced to become a single unified entity.

What appear to be petal-like inclusions are actually cracks and fissures created through a careful manipulation of the catalysing process of the resin. They cluster around and interact with amorphous invasive bodies of tar, which loom – apparently suspended in space. The tar initially appears densely black, almost light-absorbent, but upon closer inspection, a network of fine green vapour trails can be seen drifting from a surface partially melted by the exothermic reaction of the curing resin. As the tar heats it expands searching for pathways within the resin and rushes to claim opening cavities, creating wafer thin golden slivers of coral-like protuberances.

The effects of the synthesis of these two disparate elements – one black and dense; the other clear and liquid – results in a riot of colour and explosive formations that engage on both a macro and micro level.

Standard size 40 x 40 x 200.5cm made to order with a 4-8 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Please contact us for any URGENT requirements.

 

Synthesis V

Tom Price Contact Studio

Synthesis is the study of a dialogue between two contrasting materials – resin and tar – and their negotiation for space and identity when forced to become a single unified entity.

What appear to be petal-like inclusions are actually cracks and fissures created through a careful manipulation of the catalysing process of the resin. They cluster around and interact with amorphous invasive bodies of tar, which loom – apparently suspended in space. The tar initially appears densely black, almost light-absorbent, but upon closer inspection, a network of fine green vapour trails can be seen drifting from a surface partially melted by the exothermic reaction of the curing resin. As the tar heats it expands searching for pathways within the resin and rushes to claim opening cavities, creating wafer thin golden slivers of coral-like protuberances.

The effects of the synthesis of these two disparate elements – one black and dense; the other clear and liquid – results in a riot of colour and explosive formations that engage on both a macro and micro level.

Standard size 145.6 x 28 x 84.2cm made to order with a 4-8 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Please contact us for any URGENT requirements.

 

Contour Spark

Petr Weigl Contact Studio

Topography and geometry meet in these dream-like maps. Imaginary rivers and valleys cut through the strata of polished concrete. The absence of colour enhances the smooth chiselled finish to create a powerful homage to natural structures. These hand made works are unlike machine polished marble, they are more organic looking with some area’s more matt and some more reflective. This natural aesthetic is what makes up their appeal.

Standard size 25 x 25 x 25cm made to order with a 4 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Norweigan Cruise Ship

Ken Gangbar Contact Studio

Ken and his team are inspired by the cyclical patterns and intricate compositions of the natural world. They thrive on spontaneity, and the spirit of experimentation made possible by fearlessness to create truly innovate installations for both private and corporate clients. Ken began working with ceramics, because of its unique properties and versatile applications. Since then, he has branched out beyond ceramics, to explore the possibilities found within wood, steel, glass, and composite resins. His installations and sculptural works can be found in the world’s most prestigious hotels and restaurants from New York, Doha, San Diego, Athens and Toronto to Hong Kong.

Adour Restaurant, New York, USA

Ken Gangbar Contact Studio

Ken and his team are inspired by the cyclical patterns and intricate compositions of the natural world. They thrive on spontaneity, and the spirit of experimentation made possible by fearlessness to create truly innovate installations for both private and corporate clients. Ken began working with ceramics, because of its unique properties and versatile applications. Since then, he has branched out beyond ceramics, to explore the possibilities found within wood, steel, glass, and composite resins. His installations and sculptural works can be found in the world’s most prestigious hotels and restaurants from New York, Doha, San Diego, Athens and Toronto to Hong Kong.

Los Bollas de Costa Rica – Edible Landscape

Tom Wolfe Contact Studio

Wolfe draws out the meaning and cultural history of food. With Las Bolos de Costa Rica (July 2017) he created an edible chocolate landscape exploring the mysterious megalithic stone spheres of the Diquís Delta. Chocolate, sponge cake, fresh mint and gold leaf were transformed into soil, rivers and land forms, with mousse-filled chocolate representing the giant stone balls.

Nobu, Athens, Greece

Ken Gangbar Contact Studio

Ken and his team are inspired by the cyclical patterns and intricate compositions of the natural world. They thrive on spontaneity, and the spirit of experimentation made possible by fearlessness to create truly innovate installations for both private and corporate clients. Ken began working with ceramics, because of its unique properties and versatile applications. Since then, he has branched out beyond ceramics, to explore the possibilities found within wood, steel, glass, and composite resins. His installations and sculptural works can be found in the world’s most prestigious hotels and restaurants from New York, Doha, San Diego, Athens and Toronto to Hong Kong.

Halcyon, New York, USA

Ken Gangbar Contact Studio

Ken and his team are inspired by the cyclical patterns and intricate compositions of the natural world. They thrive on spontaneity, and the spirit of experimentation made possible by fearlessness to create truly innovate installations for both private and corporate clients. Ken began working with ceramics, because of its unique properties and versatile applications. Since then, he has branched out beyond ceramics, to explore the possibilities found within wood, steel, glass, and composite resins. His installations and sculptural works can be found in the world’s most prestigious hotels and restaurants from New York, Doha, San Diego, Athens and Toronto to Hong Kong.

KiWi Kitchen Restaurant, Toronto, Canada

Ken Gangbar Contact Studio

Ken and his team are inspired by the cyclical patterns and intricate compositions of the natural world. They thrive on spontaneity, and the spirit of experimentation made possible by fearlessness to create truly innovate installations for both private and corporate clients. Ken began working with ceramics, because of its unique properties and versatile applications. Since then, he has branched out beyond ceramics, to explore the possibilities found within wood, steel, glass, and composite resins. His installations and sculptural works can be found in the world’s most prestigious hotels and restaurants from New York, Doha, San Diego, Athens and Toronto to Hong Kong.

Synthesis X

Tom Price Contact Studio

Synthesis is the study of a dialogue between two contrasting materials – resin and tar – and their negotiation for space and identity when forced to become a single unified entity.

What appear to be petal-like inclusions are actually cracks and fissures created through a careful manipulation of the catalysing process of the resin. They cluster around and interact with amorphous invasive bodies of tar, which loom – apparently suspended in space. The tar initially appears densely black, almost light-absorbent, but upon closer inspection, a network of fine green vapour trails can be seen drifting from a surface partially melted by the exothermic reaction of the curing resin. As the tar heats it expands searching for pathways within the resin and rushes to claim opening cavities, creating wafer thin golden slivers of coral-like protuberances.

The effects of the synthesis of these two disparate elements – one black and dense; the other clear and liquid – results in a riot of colour and explosive formations that engage on both a macro and micro level.

Standard size 91 x 66 x 33cm made to order with a 12-16 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Please contact us for any URGENT requirements.

 

Nobu, Doha, Qatar

Ken Gangbar Contact Studio

Ken decided to create an immersive, dynamic installation/ On an 1981 cm x 366cm backdrop behind Doha’s spiral staircase, curved pieces of suspended porcelain seem to float, as if defying the laws of gravity. Some of the pieces are enhanced with geometric patterns of gold, causing bright flashes as they catch the light. The effect is striking, the perfect complement to the visual splendour already on display.

Contour Hybrid Brass

Petr Weigl Contact Studio

Topography and geometry meet in these dream-like maps. Imaginary rivers and valleys cut through the strata of cold cast bronze and solid acrylic. The absence of colour enhances the smooth chiselled finish to create a powerful homage to natural structures. These hand made works are unlike machine polished marble, they are more organic looking with some area’s more matt and some more reflective. This natural aesthetic is what makes up their appeal.

Standard size 120 x 120cm made to order with a 4-8 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Contour Ravine

Petr Weigl Contact Studio

Topography and geometry meet in these dream-like maps. Imaginary rivers and valleys cut through the strata of cold cast bronze. The absence of colour enhances the smooth chiselled finish to create a powerful homage to natural structures. These hand made works are unlike machine polished marble, they are more organic looking with some area’s more matt and some more reflective. This natural aesthetic is what makes up their appeal.

Standard size 99 x 70cm made to order with a 6-12 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Flutter

Petr Weigl Contact Studio

Flutter can be made to bespoke dimensions, to fit a particular space or to fill/become an entire wall.

Material: Porcelain ceramics with gold lustre highlights

Standard size 150 x 150 x 6cm made to order with a 4 week lead time.
Artwork can be made to bespoke dimensions
For all commission enquiries please contact us at the studio

Residence, Palo Alto, USA

Ken Gangbar Contact Studio

After seeing Ken’s work in the lobby of the Palomar Hotel in San Diego, the owner of this home in Palo Alto approached Ken and his team to create a personal installation.
With total creative freedom, Ken looked to nature for inspiration and found it in the soft curves and ephemeral character of wild spores. We began by crafting 350 porcelain orbs. Then, we arranged them in an intentionally random fashion. The cumulative effect of the imperfect, round shapes and their unique placement served to offset the strong geometric lines of the home, creating a fascinating study in contrast. And the client was so pleased with the results she forgave us for knocking holes in her wall.

Four Seasons, Hong Kong

Ken Gangbar Contact Studio

We’ve always found that the circular form meshes fluidly with contemporary design. With that in mind, each porcelain piece was placed with precision and intent along a 60 foot canvas. Ken and his team love to juxtapose modern settings with organic shapes and elements, and the deliberately loose grouping seamlessly achieves this effect. The cumulative effect breaks through any dichotomy, seamlessly insinuating itself into the elegant setting.

Palomar Hotel, San Diego, USA

Ken Gangbar Contact Studio

Ken and his team are inspired by the cyclical patterns and intricate compositions of the natural world. They thrive on spontaneity, and the spirit of experimentation made possible by fearlessness to create truly innovate installations for both private and corporate clients. Ken began working with ceramics, because of its unique properties and versatile applications. Since then, he has branched out beyond ceramics, to explore the possibilities found within wood, steel, glass, and composite resins. His installations and sculptural works can be found in the world’s most prestigious hotels and restaurants from New York, Doha, San Diego, Athens and Toronto to Hong Kong.